I’m Copying a Biography of a Great Person to Become a Playwright
When people don’t like the story of a work, they leave malicious comments.
A piece of criticism that could be a long rant or a mild reprimand.
And in that case, one of the responses you get back is, more often than not, this:
If you want, write it yourself.
That’s exactly what I’m going through right now.
“What the heck… … ”
Baltasar Arture.
My name in my previous life was Ha Eun-seong.
As the youngest child of the orthodox warrior family of Arture and a second-year student at the Academy, I am trembling alone with a reply from the famous theater company in the capital.
He died in an accident at the young age of 30 and was reincarnated into another world 20 years later.
I have never once been dissatisfied with the new life I have found here.
Born into a wealthy noble family, he never felt any material lack.
As the youngest child who grew up being loved, he never had to get involved in the complicated political history of his family.
But that was just the story until today.
A letter of complaint, sent as politely as possible, from an anonymous nobleman.
Because the reply to that was basically like, ‘If you want, you can write it yourself.’
“Are these kids really getting on people’s nerves?”
Ha Eun-seong’s biggest hobby in his previous life was watching movies and dramas.
I really liked the visual medium that combined the acting and directing to create a refreshing experience.
And the medieval-style other-worldly movie/drama is none other than a play.
Naturally, after I grew up, I would often go to nearby theaters with my allowance.
But that only happens for a day or two.
‘Your script is fucking crap, you piece of shit!’
I’m not talking about the directing or the acting skills of the actors. Rather, they were just as good as modern works.
Perhaps because the actor makes a living solely on his acting skills, in some ways he showed a more vivid method than modern actors.
Perhaps because it is a world where magic and sorcery are alive and breathing, the stage direction is often so excellent that it seems like it is not CG.
But the script is the complete opposite.
It was so boring that it was almost like a bone soup made by boiling the same old pattern ten or twenty times.
Anyway, the belief that the Lord will solve everything is a one-tool development.
A story that is full of political satire without any fun or emotion.
Wherever I go, I keep getting brain-dead by this, so I’m starting to get annoyed.
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